The Gernsheim Collection

Sobre el libro The Gernsheim Collection de Roy Flukinger publicado por Texas Up al 2010:

The Gernsheim Collection is one of the most important collections of photography in the world. Amassed by the renowned husband-and-wife team of Helmut and Alison Gernsheim between 1945 and 1963, it contains an unparalleled range of images, beginning with the world´s earliest-known photograph from nature, made by Joseph Nicéphore Niépce in 1826. The Gernsheim Collection includes some 35,000 major and representative photographs from the nineteenth and twentieth centuries; a research library of some 3,600 books, journals, and published articles; about 250 autographed letters and manuscripts; and more than 200 pieces of early photographic equipment. Its encyclopedic scope--as well as the expertise and taste with which the Gernsheims built the collection--makes the Gernsheim Collection one of the world´s premier resources for the study and appreciation of the development of photography. Published to coincide with a landmark exhibition staged by the Harry Ransom Center at the University of Texas at Austin, which owns the collection, this volume presents masterpieces of the Gernsheim Collection, along with lesser-known images of great historical significance. Arranged in chronological order, this selection effectively constitutes a visual history of photography from its beginnings to the mid-twentieth century. Each full-page image is accompanied by an extensive annotation in which Roy Flukinger describes the photograph´s place in the evolution of photography and also within the Gernsheim Collection. Flukinger also provides an enlightening introduction in which he traces the Gernsheims´ passionate careers as collectors and pioneering historians of photography, showing how their untiring efforts significantly contributed to the acceptance of photography as a fine art and as a field worthy of intellectual inquiry. Appreciations of the Gernsheim Collection by Alison Nordström and Mark Haworth-Booth confirm its singular importance as a collection of outstanding breadth and depth in the history of photography.